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As all students of history are aware, the current moment is simply the past unfolding in the present. Alynda Segarra’s latest album has a sense of time repeating itself, as the singer-songwriter from New Orleans reflects on their rich personal history to honor loved ones, acknowledge fellow travelers, and observe the chaos of the world with a touch of sadness.
Unfortunately, Segarra’s father passed away just before the recording of this album. His voicemails are featured at the end of this contemplative and seemingly effortless record. This album also marks a change in direction for Segarra, as she returns to a more folk-influenced sound after a few more upbeat and pop-oriented releases. She is joined by a talented band, and their sound is enhanced by the subtle addition of strings, brass, and keys.
Segarra escaped their aunt and uncle’s residence in the Bronx during their teenage years as a member of the LGBTQ+ community. They traveled by hopping on box cars, playing music on the streets, and scavenging for food. Their songs, such as the impressive “Hawkmoon” and “Colossus of Roads,” reflect on experiences of drinking heavily and referencing poet Eileen Myles. The latter also pays homage to Buz Blurr, a late artist known for their oil pen boxcar art. The lyrics also express empathy for those struggling with addiction and a sense of personal growth while remaining true to their outsider identity, standing in solidarity with others who are marginalized and have taken to the streets.
Source: theguardian.com
