12. Following (1998) Baby steps of course, but Nolan’s cheap-as-chips feature debut showed undeniable promise. Shot on weekends on black-and-white stock, with Nolan operating the
Category: Films
Why The Holdovers should win the best picture Oscar
I If the Academy Award for best picture was given to the film that received the most positive reception from moviegoers, the bookmakers would have
John Galliano’s High & Low Review: The Controversial Fashion Icon’s Ascent and Decline
T The unique and unfulfilling tale of renowned fashion designer John Galliano is recounted by filmmaker Kevin Macdonald. Macdonald presents the details and events of
Dakota Johnson on negative Madame Web response: ‘I can’t say that I don’t understand’
Dakota Johnson has shared her thoughts on the unsuccessful reception of the superhero film “Madame Web,” stating that she most likely will not pursue a
Review of “Inside the Yellow Cocoon Shell” – a stunning portrayal of contemplation on spirituality and mortality through the lens of slow cinema.
T The meaning of the title and the movie itself are still uncertain, but this debut feature from 34-year-old Thien An Pham is truly impressive.
A horror film is based on Glasgow’s terrifying Wonka character.
Without considering the influence of inspiration, the movie industry had minimal involvement in Glasgow’s Willy Wonka event that gained widespread attention last week due to
Dogman review – Luc Besson’s bizarre and macabre tale of canines, crime and drag
T The topic of whether or not Luc Besson has regained his previous success will likely anger those who doubt his previous successes. Besson may
“The sequel to Dune, titled Dune: Part Two, introduces a new antagonist, features an increased presence of giant sandworms, and ends with another exciting cliffhanger. Let’s have an open discussion about these juicy details, but beware of spoilers!”
T After three years, Denis Villeneuve has brought us back to the world of Dune. The French-Canadian filmmaker took a risk with the first Dune
Stuntwomen review – real all-action movie-set heroes tell their bruising stories
T Elena Avdija’s eye-opening documentary takes us on a journey to film sets in both France and the US, where we meet three female stunt