What would Pretty Woman look like if it bore the smallest resemblance to the reality of sex work? Maybe something like this, Sean Baker’s amazing,
Category: Films
Trump movie The Apprentice: ‘I don’t think it is a movie he would dislike,’ says director
The protagonist of The Apprentice is a bully and a liar, a conman and a rapist. He rejects his sick brother, sexually assaults his doting
Slow review – intimate portrait of asexual romance unfolds at unhurried pace
A delicate love affair blooms in the new film from Lithuanian director Marija Kavtaradze, which explores attraction and intimacy with intelligence and compassion. It tells
Rumours review – close encounters for Cate Blanchett and the magnificent G7
Cate Blanchett has supplied the strangest moment of this year’s Cannes film festival; for Brits of a certain age, anyway. Her character reverently invokes the
The Boy in the Woods review – boys’ own tale of Holocaust fugitive forced to fend for himself
This sweet if somewhat sentiment-and-string-section-forward Canadian film tells the true story of Max (Jett Klyne, impressive), a Jewish boy aged 12 from Warsaw, trying to
The Apprentice: Trump campaign threatens legal action over biopic that depicts him as a rapist
The Trump campaign has come out swinging against The Apprentice after the film, which depicts the former president raping his first wife, shocked audiences at
What Remains on the Way review – startling insight into the struggles of US border migrants
Heading for the US-Mexico border from Guatemala, single mum Lilian and her four children endure an arduous 3,000-mile journey, the perils of which are intimately
Regardless of Us review – mesmerising meta debut is study of identity and performance
A cinematic puzzle cast in minimalist black and white, Yoo Heong-jun’s slippery feature debut delves into the malleability of identity, performance and life itself. It
‘I burned out – and started mowing lawns’: a reality-bending chat with Harmony Korine
Have you ever wondered whether the interview you’re about to read is actually real? Are you reading it thanks to your own free will, or
The Substance review – Demi Moore is game for a laugh in grisly body horror caper
Coralie Fargeat, known for the violent thriller Revenge from 2017, now cranks up the amplifier for some death metal … or nasty injury metal anyway.