Every new Mission: Impossible film comes with a task that is, well, quite difficult. This is a film franchise propelled by its set pieces, and
Category: Films
Up the River With Acid review – intimate, abstract portrait of a father’s dementia
Horst is an ageing academic who has lived a full life, enriched by learning, teaching and love; now his son, film-maker Harald Hutter, has decided
Into the Deep review – Richard Dreyfuss brings the meaning to smugglers v sharks thriller
This pulpy yet weirdly woo-woo nautical thriller sets good-guy treasure hunters on a collision course with drug smugglers (bad guys) and great white sharks (morally
The Brutalist and Emilia Perez’s voice-cloning controversies make AI the new awards season battleground
The use of artificial intelligence could become a ferocious battleground during movie awards season, as at least two major contenders were revealed to have used
Oscar buzz and genre snubs: will the Academy finally give sci-fi, fantasy and horror their due?
Ah, the Oscars. That perennial exercise in Hollywood patting itself on the back with all the subtlety of a fireworks display, while the rest of
Dead Before They Wake review – brutal grooming-gang thriller marries mawkishness and bloodlust
Here is a vigilante thriller co-directed, written by and starring prolific low-budget Scottish film-maker Nathan Shepka, which has a kind of grim integrity despite the
Sunray: Fallen Soldier review – staple guns pressed into service in brutal payback thriller
This is a boorish, blokey film, the cinematic equivalent of a man sitting on the tube with his legs spread wide apart. It’s a violent
‘An unmitigated joy’: why Married to the Mob is my feelgood movie
There’s no more perfect song to open a movie than Rosemary Clooney’s Mambo Italiano in Jonathan Demme’s Married to the Mob. It’s a delightful nonsense
Blood Simple at 40: how the Coens set the standard for modern noir
The loathsome proprietor of a Texas bar slumps in his office chair after hours, seemingly dead from a gunshot wound to the chest. Another man
‘It’s a PR battle’: inside the Blake Lively and Justin Baldoni lawsuits
It Ends With Us should have been a success story. The long-awaited film adaptation of Colleen Hoover’s bestselling novel, a tale of cyclical domestic violence,