Nicolas Cage has reiterated his warning against the use of artificial intelligence in the film industry, saying “we can’t let that happen”. In remarks reported
Category: Films
‘A thing of pure beauty’: why Pink Flamingos is my feelgood movie
It may seem like a stretch to call a film that features scenes of rape, murder, incest, castration, cannibalism, bestiality and, most famously, shit-eating, a
Scarlet Winter review – chopped-up narrative method decorates corpse-disposal thriller
Mulholland Drive and Memento are celebrated examples of how narrative fragmentation can dovetail well with the philosophical heart and aims of film noir. While this
Vista Mare review – fascinating look at invisible labour in Italian beach hotspot
All the familiar pleasures of a beach getaway – seafood feasts, open-air concerts, lazy lounges under the hot sun – take on a fascinatingly odd
D Is for Distance review – tender portrait of parents battling for their son’s medication
That uniquely valuable British writer and independent film-maker Chris Petit, creator of downbeat classics such as Radio On from 1979 and An Unsuitable Job for
Is it time to stop bashing Bridget Jones? Hapless everywoman has evolved – and so have we
Bridget Jones is back. The fabled diary (probably a Surface Pro now) has snapped back open. The cigarettes are doubtless replaced by a Vaporesso vape.
Hayley Atwell on theatre, Tom Cruise and the tabloids: ‘I’ve reached the point where I’m OK if I’m not liked’
Before meeting Hayley Atwell, I am shown to an empty dressing room down the corridor from where she is rehearsing in London for her upcoming
Mark Kermode on… David Lynch, a one-off visionary who was also incredibly funny
In January 1997, I went to Paris to interview the great American surrealist film-maker David Lynch, who died at the end of last month aged
Grumpy Harrison Ford, a mystery asterisk and AI gone wild: everything from Disney’s new slate presentation
There are moments in life when you expect to be confronted by greatness: hearing a live orchestra swell into the opening notes of John Williams’
Companion review – empty sci-fi thriller short-circuits too quickly
Imagine, if you will, a skewed sci-fi reality that envisions a Black Mirror episode but for an entire movie? Can you even begin to grasp