Jessica Hausner is the Austrian director whose elegant, refrigerated style has made her a Cannes favourite and her 2009 film Lourdes, about the ordinary world
Category: Films
Review of “Fallen Leaves” – A dry comedy by Aki Kaurismäki that captures the essence of springtime.
Aki Kaurismäki is the Finnish director who is notable for being not simply one of the directors who is always welcome in the Cannes competition,
The structure of a critique of “Fall” – Sandra Hüller captivates as a writer facing accusations of her spouse’s homicide.
I I have previously had mixed feelings about Justine Triet’s work, but her movie in this year’s Cannes competition, which is a courtroom drama and
The December issue of May Review features a powerful performance by Julianne Moore and Natalie Portman in a drama inspired by Patricia Highsmith.
“I Julianne Moore’s character in this film states, “Insecure people are a threat,” and she speaks from experience. Director Todd Haynes brings an entertaining and
“Review of Four Daughters – The story of a mother’s heartbreak over the Islamic State blending reality and fiction.”
T The film has genuine emotional depth and empathy despite some flaws. It is a docudrama that uses actors to portray real people involved in
About Dry Grasses review – Nuri Bilge Ceylan’s absorbing drama of a teacher-pupil crisis
Turkish auteur Nuri Bilge Ceylan has delivered another of his expansive, ruminative and distinctly Chekhovian character-driven dramas. Again it is spread out across the landscape
Jonathan Glazer has adapted Martin Amis’s haunting Holocaust drama with his film, “The Zone of Interest.”
A One darkly humorous remark permeates through the film from Jonathan Glazer, a technically impressive and unsettling portrayal of the Holocaust. The movie is loosely
Review of “How to Have Sex”: A Lesson in Consent for Partygoers
F Molly Manning Walker’s debut film is a high-energy, enjoyable ride filled with silly jokes and strong performances. It follows three teenage girls on a
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V Very few movies leave you questioning “What just occurred?” at the end, as well as “What is happening currently?” throughout its duration. Yet, this
Critique of the film “Monster” by Hirokazu Kore-eda: a complex and multidimensional exploration of contemporary values and behavior.
H In this family drama, director Hirokazu Kore-eda presents a complex story that delves into issues of bullying, homophobia, dysfunctional families, unquestioning respect for flawed