From time to time, a film made in the US will reach these shores with a slightly different title. Ford v Ferrari, for example, was
Category: Films
Last Tango in Paris screening in French capital cancelled amid women’s rights protests
A prestigious French cinema has cancelled a screening of Last Tango in Paris after women’s rights groups protested at its infamous rape scene filmed without
Nosferatu: The Real Story review – insightful probe into a vampire classic
There are two types of vampire: one is the vulpine, Bela Lugosi-esque seducer, while the other is the “verminous” kind pioneered by Count Orlok in
Post your questions for Mischa Barton
British-born Mischa Barton moved to the US age five where, age nine, she made her screen debut on American soap opera All My Children, and,
Dead Birds Flying High review – intriguing naturalist portrait swerves the Nazi question
Here is a thoughtful, austere documentary by Sönje Storm that largely avoids the irony-potential hinted at in the title. It is about her great-grandfather, Jürgen
Dune at 40: David Lynch’s oddball adaptation remains a fascination
In another universe, Star Wars ended with David Lynch. Intrigued by the monochromatic surrealism of Eraserhead and The Elephant Man, George Lucas approached the oddball
Carry-On review – Taron Egerton channels Kenneth Connor in misleadingly titled Netflix thriller
For vulgar-minded Brits, a Hollywood film title sometimes carries its own unintended associations and unfortunate resonances. Many were pained at the raucous response from some
Chitty Chitty Bang Bang remake in the works
A new take on Chitty Chitty Bang Bang is reportedly in early development. According to Deadline, Barbara Broccoli and Michael Wilson’s Eon Productions – best
Am-dram Alien documentary comes to TV as ‘unintentional pantomime’
For anyone who is weary of the usual feelgood festive films – Love Actually, Elf, Miracle on 34th Street and so on – a more
Kraven the Hunter review – Russell Crowe busts up laborious superhero yarn
Only the robust presence of Russell Crowe – and what might conceivably be a sly visual joke about exiled Russian plutocrat Mikhail Khodorkovsky – make