Uberto Pasolini likes to say he has been thinking about adapting The Odyssey for 30 years – 10 years longer than it took Odysseus to
Category: Films
Geoffrey Rush on Pirates, Pinter and pugs: ‘Just be happy we evolved on this bit of rock’
The Rule of Jenny Pen looks terrifying! Does the prospect of sudden ageing frighten you? BenderRodriguez It’s not sudden. I was in [King] Lear when
‘I was surprised how common it is’: the director of Sebastian on his controversial film about an author who enters sex work
Growing up in a small Finnish town close to the Russian border, Mikko Mäkelä knew he was gay from the age of 11. “I think
Ian McKellen and Patrick Stewart to reprise X-Men roles in new Avengers film
Patrick Stewart and Ian McKellen are set to reprise their X-Men roles in Avengers: Doomsday. Marvel kicked off a live stream on Wednesday to announce
A Working Man review – Jason Statham actioner is far too much work
The new Jason Statham movie is based on a novel called Levon’s Trade, which is a pretty good title. But A Working Man is a
Rust: first trailer for Alec Baldwin western appears after on-set shooting
The first trailer has emerged for the western Rust, the production that saw an on-set accident lead to the death of the cinematographer Halyna Hutchins.
Woman tells court Gérard Depardieu groped her buttocks and breasts on set
The French actor Gérard Depardieu sexually assaulted an assistant director on three occasions while she was working with him on a film shoot, placing his
‘Porn is the most conservative business I was ever in’: behind the scenes at Café Flesh
You never forget your first visit to Café Flesh. Mine took place in June 1986: it was a month before my 15th birthday and I
The Stimming Pool review – film-makers on the autistic spectrum dive ingeniously into the uncanny
Here is an engaging docufictional experiment, an investigation into autism co-created by a group of young artists on the spectrum called the Neurocultures Collective. The
Director Marco Berger: ‘My films make some masculine viewers question if they could be gay’
Marco Berger’s films often begin, in one way or another, with a knock on the door. A young gay man steps into a summer house,