I only have two of my pictures up at home – and this one lives in the bathroom. It was commissioned by The Face and
Author: Sarah Mitchell
‘We are finally free’: Senegal hails new anti-establishment president
Just 10 days before being elected president of Senegal, Bassirou Diomaye Faye was in prison. Years of political turmoil have left the west African state’s
Tilda Swinton bedtime story among Cinema for Gaza auction lots
Directors Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg, as well as the cast of shows including Doctor Who and Downton Abbey, are among
The Origin of Evil review – classy comedy-thriller with shades of Succession and Knives Out
Succession meets Knives Out in this comedy-thriller directed by Sébastien Marnier in what is an extremely French comic style: tongue-in-cheek, a little frothy, tiptoeing close
‘Chops, talent and charisma’: Pierce Brosnan backs Aaron Taylor-Johnson as James Bond
Pierce Brosnan has become the latest former 007 to give his blessing to Aaron Taylor-Johnson taking over the role of the spy. Brosnan, who played
The Bear is The Boss: Jeremy Allen White tipped to play Bruce Springsteen
Jeremy Allen White looks set to swap his white t-shirt for a vest later this year, when he takes on the role of Bruce Springsteen
Silver Haze review – memory-haunted portrait of scarred, damaged lives
Here is a tough drama of damaged lives which reunites director Sacha Polak with lead performer Vicky Knight, the star of her 2019 film Dirty
Caity Baser review – cartwheeling celebration of chatty, bratty girlhood
Of all the words to describe Caity Baser, shy would not be high on the list. On the opening night of her Still Learning tour
Novak Djokovic calls time on dominant coaching partnership with Ivanisevic
Novak Djokovic has revealed that he has split from coach Goran Ivanisevic. The partnership was hugely successful, with Djokovic enjoying the most dominant period of
Mothers’ Instinct review – Anne Hathaway and Jessica Chastain in 60s-set operatic melodrama
Maybe a new Catfight of the Year Oscar has to be brought in to reward this hilariously unsubtle and increasingly ridiculous psycho-melodrama of the 1960s