The BBC has spiced up its coverage of the sporting summer by signing Wayne Rooney as a pundit for Euro 2024, as well as Nick
Author: Sarah Mitchell
Raphael: A Portrait review – lengthy but illuminating study of Renaissance master
Here is a mammoth 148-minute documentary about the Renaissance painter Raphael, which in its sheer length and detail is an impressive achievement in itself by
William Shatner: You Can Call Me Bill review – captain’s log is short on detail
He has lived long and prospered. Now 93 years old (though looking like a slip of a lad of 70), William Shatner shares his wit
Parthenope review – Paolo Sorrentino contrives a facile, bikini-clad self-parody
Paolo Sorrentino, for over 20 years one of the most vibrant and distinctive film-makers, is coming close to self-parody with this new film, which conceitedly
‘It’s basically inaccessible without a phone’: are kids losing their love for music?
My daughter is nine years old. When I was her age, in 1989, I had my own small cassette player and a beloved pile of
New Orleans rapper BG won’t go back to prison – but judge will scrutinize lyrics
The rapper BG is no longer at risk of a return to federal prison after performing alongside fellow artists with prior felony convictions while on
Was Cate Blanchett’s Cannes dress a pro-Palestinian protest – or an optical illusion?
For some, the message Cate Blanchett brought to the Cannes red carpet on Monday rang loud and clear. At first, her form-fitting, off-the-shoulder Jean Paul
Numbers game: why rankings matter in tennis – and why they can distract
As Stefanos Tsitsipas debriefed on his second-round loss at the Madrid Open last month, his regret was plain to see. The Greek explained that his
Benson Boone review – echoes of Harry Styles in pop’s newest star
‘I see you winning American Idol if you want,” judge Katy Perry told Benson Boone when he was on the show in 2021. He pulled
In Flames review – Pakistani horror mines the patriarchy for terror and despair
Pakistan’s patriarchal society is a too credible source of horror in this promising feature debut from Canadian-Pakistani writer/director Zarrar Khan, whose gallery of violent, predatory