20. Across the Universe (1998) You could easily fill a Top 20 with Apple’s original compositions, but this Beatles cover deserves recognition for arguably besting
Author: Sarah Mitchell
Severe drought puts nearly half a million children at risk in Amazon – report
Two years of severe drought in the Amazon rainforest have left nearly half a million children facing shortages of water and food or limited access
Kylian Mbappé left out of France’s latest squad after Deschamps talks
The Real Madrid forward Kylian Mbappé was not named in France’s squad to face Israel and Italy in Nations League games, head coach Didier Deschamps
Champions League review: Slot and Amorim shine as a Swedish star rises
Going up Liverpool Top of the Champions League, top of the Premier League, Arne Slot’s start to his Liverpool tenure is beginning to shake off
The Piano Lesson review – Washington family get stuck into August Wilson’s powerful play
Eight years ago, as producer-director and star, Denzel Washington gave us an intelligent and deeply felt film version of August Wilson’s stage play Fences, a
Linkin Park: From Zero review | Alexis Petridis’s album of the week
In September, Linkin Park’s comeback single The Emptiness Machine entered the UK singles chart at No 4. You could see that as an extraordinary state
Piece By Piece review – heartfelt biopic of Pharrell Williams’s life … in Lego
Pharrell Williams’s life … only it’s Lego. A fun idea – like Muhammad Ali in Etch-a-Sketch or Harry and Meghan with Thunderbirds puppets. This is
Llama drama and fresco textures: unseen scenes from The Colour of Pomegranates – in pictures
In a preface to his script, Parajanov made it clear that his film was not just about the life of Sayat Nova, but to evoke
Deep Purple review – age cannot wither these pogoing rock elders
There are certain things that have to be factored into life: Boris Johnson will self-promote; Five Guys is overpriced; and Deep Purple (and their spinoff
No Other Land review – an Israeli and Palestinian’s remarkable relationship
This rage- and pain-filled documentary from a quartet of Palestinian and Israeli film-makers was the subject of a somewhat surreal statement from the German culture