Trailblazing Habib makes uplifting history for Lebanon at Australian Open
Author: Sarah Mitchell
Australian Open avatars helping tennis reach new audience
The proposition is compelling: near-live, commentated coverage of the Australian Open, free to anyone across the world via YouTube, enhanced via a stream of comments
Boulter seals British history at Australian Open with six players into round two
Six British players have won their first-round matches at the Australian Open for the first time in history after Katie Boulter held her nerve in
Werewolves review – post-apocalyptic lupine horror makes an enemy of the moonlight
Intermittently effective but grindingly repetitive, this lupine-themed horror posits a world where nearly a billion people have died after a supermoon turned anyone exposed to
‘Professionals’ to some, ‘a shambles’ to others: can the UK’s biggest nightclub stay open?
In December it looked like Drumsheds, the UK’s largest nightclub housed in a former Ikea in north London, could be in serious trouble less than
Bodies recovered from illegal goldmine in South Africa where many feared dead
Thirty-six bodies have been brought out of an illegal goldmine in South Africa and 82 people have been taken out alive since Monday, after police
Panda Plan review – Jackie Chan on fighting form in a goofy cute-animal rescue yarn
Fun though it is to see Jackie Chan good-naturedly busting out the classic moves – and very spry he is at 70 years old –
The Weeknd postpones new album ‘out of respect and concern’ for LA residents
The Weeknd has pushed the release of his new album, Hurry Up Tomorrow, because of the California wildfires, as well as cancelling a one-off performance
‘Like a big box of chocolates’: Tom Hanks puts his typewriters on display
Some celebrities collect art, rare film prints or plain old action figures. (Welcome to the club, Leonardo DiCaprio.) Tom Hanks, somewhat famously, collects something that’s
Catching Dust review – urbanites and hillbillies clash in confident desert noir
British director Stuart Gatt’s confidently handled debut is a tale of two trailers: one a banged-up redneck bolthole in a godforsaken Texas desert commune; the