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This is a charming and nostalgic documentary that delves into the world of the New Romantics, a scene known for its flamboyant fashion and theatrical makeup. The film features interviews with key figures who were a part of this movement, which emerged from the punk scene in London in the late 1970s and early 1980s. The iconic Blitz club in Covent Garden, where Boy George worked as a coat-check attendant (allegedly to steal from patrons’ coats), served as the birthplace of this scene. Notorious for its strict door policy, even Mick Jagger was turned away while “freaks” were allowed in for free.

During the Thatcher era, there was a severe economic downturn and many of the “Blitz kids” resided in a crowded squat on Warren Street. Despite the unsanitary conditions and reliance on government assistance, the residents were incredibly creative, producing films, music, fashion, and art. They often spent a significant amount of time dressing up and creating eccentric looks. One woman even recalls riding the subway with her nipples painted red and wearing only a piece of muslin. In order to defend against potential homophobic attacks, one drag queen carried concrete in her handbag. The atmosphere was often reminiscent of a high school, with constant bickering and rivalries. Fights would break out on the dancefloor if someone copied another’s style.

Looking back, there is a charming and lovable quality to the mindset of the New Romantics. They had a strong desire for fame, yet had no concern for wealth. In present times, they would all be social media influencers, earning large sums of money from sponsorships. Many of them went on to become successful figures in their respective fields, such as Boy George, choreographer Michael Clark, and filmmaker John Maybury. Maybury serves as a reminder to director Kevin Hegge not to overlook the influence of the LGBTQ+ community. This aspect is often excluded from documentaries because of the significant number of young gay men who were taken by the Aids epidemic – a devastating and tragic end.